Gordon McAlpine’s latest foray into hardboiled metafiction, Woman With a Blue Pencil, pulls off a dazzling high wire act, managing multiple narratives and layers of reality without sacrificing an iota of page-turning power. The author deftly threads excerpts from two intertwined thrillers and snippets of letters, all set against the fever-pitched backdrop of post-Pearl Harbor Los Angeles. The novel also packs a powerful emotional punch, invoking one of the tragic and unforgivable chapters in American history—the internment of U.S. citizens of Japanese descent during World War II—with a tertiary narrative of manipulation and self-betrayal.